So, it's officially winter and I'm continuing my cold-weather trend of finding places to hang out, read, write, drink tea, and eat. I've recently added a fourth favorite to my repertoire-- Cafe Nola, in Frederick, MD. Nola has its roots in the defunct Downtime Cafe, which was located across the street. You literally walked down about four steps into the tiny, cramped basement of one of the historic townhouses on Patrick St. The tea assortment was fairly small, but eclectic and good. And the sandwiches on the equally small food menu were terrific, which is saying something because I'm not a sandwich fan. Unkempt and artsy, punky and funky, Downtime felt cozy to me. I didn't go there often, but often enough that I was seriously bummed when the place closed.
Seems the owners had a new concept in mind. Before long, Cafe Nola opened on the other side of Patrick in what was once a lunch counter/diner and has since been hard to keep occupied. Word was that Nola was being billed as a "coffeehouse/bar/kitchen". Before even seeing the place, visions of wanna-be-hip yuppies began dancing in my head. Sure enough, the first time I walked in, the sofa in the corner had been taken over by a 30-ish guy with a laptop and a toddler who was lolling all over the coffee table and floor. Yet there was also a dude with a mohawk and a black trench coat at one of the front window tables. After being ignored at the front counter for several minutes, I finally ordered a Battling Bamboo tea to go and left with a less than stellar first impression.
Now, while Frederick has a generous handful of very good restaurants, those places are just that: somewhere to be seated and served, dine, pay, and go. Places where one can feel comfortable just hanging out with a book and a meal have been few and generally haven't lasted long. Downtime Cafe was one of those few.
So there I was, feeling unmoored and bereft of a nearby hangout. There's just not always time to drive as far as Shepherdstown or Baltimore so, somewhat grudgingly, I went back to Nola. The tea was still the same good assortment, but the meal was mediocre. A third visit was just as poor, but the funky espresso cup collection and the same punky staff as at Downtime caused the atmosphere to begin growing on me.
Finally, on my fourth visit, I discovered Nola nirvana: the Grilled Cheesy sandwich, consisting of provolone, tomato, pesto and, optionally, prosciutto, grilled on focaccia. The combination of greasy, gooey cheese and the place being empty enough for me to read and eat in peace finally clicked and I left feeling content.
I've since been back a few more times for that sandwich and have discovered that their chef also does some pretty fantastic things with pumpkins and a soup pot. I've begun exploring more of the tea menu, as well-- while Battling Bamboo is still the first choice when I'm under the weather, I've found that Gypsy Love makes for a smooth, mellow compliment to a meal. The last test was Sunday brunch, for which I headed up to Frederick today. Veggies in Bed (tomato, basil, mozzarella and asparagus grilled on open-faced focaccia) seriously gives the Grilled Cheesy a run for its money, though the thicker focaccia required a steak knife to cut into.
So I've gone from turning my nose up at Nola to being totally won over by the place. Moral of the story: Always be willing to revise your first impressions, especially where food is concerned.
December 28, 2008
December 25, 2008
Christmas kittehs
December 17, 2008
Disturbed by Dexter
A lot of folks these days are into the Showtime series Dexter. Since I'm too cheap to spring for anything more than basic cable, I've been missing the boat. But a recent review of the season 3 finale (Spoiler Alert: don't click that link if you're a fan and haven't yet seen the episode) intrigued me more than anything else I'd heard yet, so I hit the video store today and rented the first disc of the first season. Now, after watching those four episodes back-to-back, I'm disturbed.
It's not the show itself, really, though both the premise and all of the assorted severed limbs that pop up on camera are unsettling, as I'm sure was the intent. No, the idea of the show, of a character like Dexter, is right up my alley. I've always been drawn to the macabre and morbid. As a kid, one of my favorite tv shows was The Addams Family. In high school, I delighted in memorizing and reciting Edward Gorey's Gashlycrumb Tinies to anyone who would listen. I read Victorian-era ghost stories to relax, and can't pass an old cemetery without making plans to return and photograph it. Even my father confirms all of this: To this day, any reference to the movie Beetlejuice causes him to point at me and proclaim of Winona Ryder's character "That's you!"
So Dexter, the show itself, doesn't bother me. What popped into my head as I turned off the dvd player was: Why on earth is this show so popular? What has changed in our society to make a fairly graphic, somewhat violent television show about a serial killing forensic analyst not only accepted, but lauded? As television goes, Dexter's got a lot going for it-- witty and compelling writing, tension in both plot and character, and a great cast of actors. And for any fan of the much-missed HBO series Six Feet Under, the fact that it stars Michael C. Hall as the title character isn't the only thing it has in common with Alan Ball's great work. All of those factors definitely merit the acclaim the show's received.
Yet its popularity still bugs me. Where I was once glanced askance at for being "weird", I'm finding that "weird" is the In Thing these days. Goth is cool, skulls as decorative items are hip, and Dexter is a hit. And the idea that it's suddenly popular to be a weirdo like me leaves me, well, honestly... a bit freaked out.
It's not the show itself, really, though both the premise and all of the assorted severed limbs that pop up on camera are unsettling, as I'm sure was the intent. No, the idea of the show, of a character like Dexter, is right up my alley. I've always been drawn to the macabre and morbid. As a kid, one of my favorite tv shows was The Addams Family. In high school, I delighted in memorizing and reciting Edward Gorey's Gashlycrumb Tinies to anyone who would listen. I read Victorian-era ghost stories to relax, and can't pass an old cemetery without making plans to return and photograph it. Even my father confirms all of this: To this day, any reference to the movie Beetlejuice causes him to point at me and proclaim of Winona Ryder's character "That's you!"
So Dexter, the show itself, doesn't bother me. What popped into my head as I turned off the dvd player was: Why on earth is this show so popular? What has changed in our society to make a fairly graphic, somewhat violent television show about a serial killing forensic analyst not only accepted, but lauded? As television goes, Dexter's got a lot going for it-- witty and compelling writing, tension in both plot and character, and a great cast of actors. And for any fan of the much-missed HBO series Six Feet Under, the fact that it stars Michael C. Hall as the title character isn't the only thing it has in common with Alan Ball's great work. All of those factors definitely merit the acclaim the show's received.
Yet its popularity still bugs me. Where I was once glanced askance at for being "weird", I'm finding that "weird" is the In Thing these days. Goth is cool, skulls as decorative items are hip, and Dexter is a hit. And the idea that it's suddenly popular to be a weirdo like me leaves me, well, honestly... a bit freaked out.
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